Saturday, February 15, 2014

Monumental "Monuments Men"

Dear Mr. Clooney,
I just saw a movie that may change my life. I'm not sure if it is the humanity or lack of humanity that moves me more.

Thank you for bringing "The Monuments Men" (from Robert Edsel's book of the same title) to the big screen with a cast, including yourself, who honorably retell a piece of unknown history of brave historians, tasked by FDR, who trek through war torn Europe in possibly the greatest treasure hunt on earth. Their mission: to retrieve art stolen by the Nazis and return plundered public and private artworks to its rightful owners, whether dead or alive. 

Aside from the joyous revelation that Hugh Bonneville (aka "Downton Abbey's" Lord Grantham) and Jean Dujardin ("The Artist") play important roles in the movie, let's just say Cate Blanchett's riveting portrayal, of a Parisian curator privvy to Nazi thievery of the world's priceless masterpieces and what she does with the information, takes the air out of the theatre. Too, Matt Damon's faithful James Granger and the German-Jewish soldier who eavesdrops on the Fuehrer's evil plans as our heroes attempt to outpace the Russians, after stolen art for early reparations.

But the real stars of this show sit in cloaked wheelbarrows and stockpiled frames signed by Peter Paul Rubens, Claude Monet, Michelangelo and Rembrandt, to name but a few. This well directed and written film brings the importance of art into focus and how the plight to protect civilization from extinction due to the ravages of war continues to this day. Like art itself, "Monuments Men" belongs to the ages.

http://www.monumentsmenfoundation.org
http://www.smithsonianmag.com/history/true-story-monuments-men-180949569











Saturday, February 16, 2013

And the Oscar Goes to ...

Sunday, February 24th, Academy voters will determine who walks home with this year's coveted Oscar, and as it turns out, the competition is fierce.

Let's look at five contenders.

There's Lincoln, up for the lion's share of awards including best movie and director with veteran Stephen Spielberg at the helm and Daniel Day Lewis giving audiences more than a glimpse into the very soul of a beloved and hated commander in chief. Day's intimate portrayal of the Civil War president agonizing over a young nation is worthy of Best Actor.

Though Les Miserables is a musical and has way too much music with no song and dance, its cast did well and are up for Best Actor (Hugh Jackman) and Best Original Song. Prognosticators say it's a shoe in for Anne Hathaway (Princess Diaries, The Devil Wears Prada) to grab Best Supporting Actress. That the film's mostly a Debbie Downer could play against the odds were it not for an underlying thread of redemption that runs its characters ragged yet inspired.

Kathryn Bigelow's at it again, directing another war thriller nominated for an Oscar. In 2010, her moving account of soldiers deployed to Iraq to snub out explosives nabbed the Oscar for Best Picture with The Hurt Locker. This time it's Zero Dark Thirty, a dramatization of a decade's worth of highbrow snooping to locate al Qaida leader and instigator of 9/11, Osama bin Laden, and bring him to justice. The film's protaganist, Jessica Chastain, is up for Best Actress, and shows her acting chops in this film from ditzy gal in "The Help" to a CIA intelligence officer with killer instincts whose research gets the Navy Seals on board for a wild ride to Pakistan to seal the deal.

Let's include Ben Affleck in this amazing mix of filmmakers with his Argo movie, a declassified tale of how the CIA posed as fake film producers to smuggle six stray American diplomats, holed up in the Canadian Embassy, from the clutches of revolutionary Iranians during the Iran Crisis. This film could take home the Oscar for its suspense so raw and well crafted that audiences were watching the entire film on the edge of their seats. The only flaw comes during the credits when President Carter recaps the end of the Hostage Crisis with no mention of how newly inaugurated Ronald Reagan orchestrated release of those hostages by intimidating their captors.

And then there's the hyped Silver Linings Playbook, a movie I saved for last, skeptical that it'd be preachy or repetitious of other films about mental illness. Forget all that. Playbook is magical. Largely in part to Best Actress nominee Jennifer Lawrence (The Hunger Games), who plays opposite Bradley Cooper (The Words, Hangover), up for Best Actor. Lawrence captivates Cooper and moviegoers from the moment she's on screen. It's this year's Cinderella story about two wounded souls who understand what it's like to try to recapture some semblance of normalcy when the rug's been pulled from underneath. This movie's a smart, sexy love story with off putting characters full of endearing qualities and intense chemistry despite their dysfunctional DNA.

Thursday, December 6, 2012

Three Musketeers!!!

There's something so cool and mysterious about babies having babies, who if born today, could live to see the 22nd century. Take Jonathan Patrick Kagamaster, whose birth day December 5, 2012, represents the future. In 2112, he'll be 100 years old and a day. What an amazing little fellow. For now, we're all thrilled that he's here on the present day scene with us so we can love him and cherish him and watch him grow with his cousins. It's the new three musketeers! Welcome to our world, JP!

Monday, December 3, 2012

Lincoln

To bring us into the interior world of the tortured soul of a character, in this case one of America's finest presidents, is usually the work of a book. Steven Spielberg's "Lincoln," an illuminating historical fiction, more than depicts the legacy left by President Abraham Lincoln (played to a tee by Anglo-Irish actor Daniel Day Lewis).

A cast of characters, from that fateful year 1865, includes Mary Todd Lincoln (played by Sally Field), General Ulysses S. Grant (Jared Harris) and Congressman Thaddeus Stevens (in an Oscar worthy performance by Tommy Lee Jones), amid the backdrop served by the 13th Amendment to the Constitution, a masterfully spun document to let freedom ring for all, playing center stage to Lincoln, who spends the last four months of his life spinning wheels, hiring hucksters and agonizing over prolonging the bloody Civil War as he crosses party lines in an attempt to get the majority votes needed to free America's slaves.

Lewis embodies the sixteenth president of the United States with finesse, homespun humor and tenderness tempered with the power of his position. While Congress argues over the new amendment, Lincoln thumbs through a natural science encyclopedia with his youngest son, Tad, and when he's up all hours of the night, the troubled leader floats through the White House like a ghost, waking administrative assistants to send messages to the war field.

In a touching scene with his White House helpers, Lincoln questions equality: "Can we choose to be born? Are we fitted to the times we are born into? We begin with equality, that's the origin, isn't it? that's justice. See we've shown that a people can endure awful sacrifice and yet cohere."

Not since "The Birth of a Nation" (1915) or "Gone with the Wind" (1939) has the storied Lincoln so captivated its audience and just as President Woodrow Wilson said of the first film, that it was "like writing history with lightning," this Lincoln, too, is making its mark.

In theatres across the country, "Lincoln" gets a standing ovation, if not for its political plot twists round a lame duck Congress, surely for Lewis' kindred, spirited portrayal of a great man. Don't miss this movie.





Saturday, November 3, 2012

Voting is our Civic Right!

It's our civic duty to vote. Kevin Costner in Swing Vote asks incumbent and opposing candidates, both he thinks capable, why someone hard working two jobs cannot afford to live here? And that is my question to Obama and Romney. And I think the answer has something to do w raised taxes for stuff I don't want to buy. Shouldn't cut military or we'll be inadequately protected (think Benghazi) and need jobs to come back to America (sorry India and China). But also need to keep our borders open as we are a country of immigrants (I'm first born here). As for medical who's going to let us go alternative? And when will we see less pain at the pump? I don't know about you but 75% of my day wages go to roof over my head and transportation. For starters how about a flat tax and local or regional petrol? Just saying these are some things I'm weighing before I pull that lever at the polls on Monday. Not listening to superpac hate ads or Obama 2016 or negative speeches about Mr. Romney. All of these are chock full of omissions. I like both guys for different reasons but I think in this race I'm zeroing in on stretching my dollar.

Saturday, April 21, 2012

So, my brother, Pete Bullock, and I are wondering why there was nothing, other than the  Foreign Press Association New York post, about our grandfather, who was a key player then, in the centennial news and hoopla about Titanic this past week. Though the article I prepared was not picked up, let's blog it here so others can benefit from W. Fred Bullock's insight into Titanic's losses before the world was informed. Here's the extended version of the FPANY post I'd hoped the papers would've picked up and run:

April 5, 2012
Special to ...
By Alison Bullock Kagamaster, freelance journalist & granddaughter of W. Fred Bullock, former correspondent for London’s Daily Mail and Times under Lord Northcliffe

Lord Northcliffe’s “Crown Prince” Reporter for The Times and The Daily Mail of London Gave England First Details of Lives Lost on Titanic

W. Fred Bullock, circa 1912
There was some confusion as to what really happened when Titanic hit that iceberg a hundred years ago. Though initially news outlets claimed no loss of life, it was a British reporter who showed concern over meager facts he cited as unconfirmed.

New York Correspondent for London’s Daily Mail and The Times, W. Fred Bullock cabled his bosses: The greater part of the news now available consists chiefly of Press reports heard on various sources of information, and in the absence of direct official advices these must be accepted with some reserve.
According to The New York Times, Bullock was uncomfortable with his initial report and probed further until he learned the contents of a revealing private cable from White Star Line’s New York office. Estimated number of passengers rescued: 675. When the local office refused any substantial information, he contacted the Line’s London office for an approximate passenger list with crew:  2, 200. Bullock not only did the math, he considered the Atlantic Ocean’s fields of ice bergs common in spring, number of lifeboats, and unstable conditions on the crowded vessel and cabled a story indicating large fatalities, which alerted New York officials to confirm his story.

Once the rescue boat Carpathia docked, the surviving headcount of some 775 accounted for 80 percent of the maximum capacity of lifesaving appliances.

Capturing the mood in New York over subsequent days, with countless interviews of survivors and their families, from first hand observation Bullock reported on the national grief in progress: Men and women who a few days ago were proudly discussing the qualities of ‘the biggest and finest ship afloat’ today can only speak of the most awful loss of life in the history of ocean travel.

Bullock was one of a sea of reporters who crowded the streets of lower Manhattan for the memorial service at St. Paul’s Cathedral on Friday evening, April 19, 1912. He observed: Nothing impressed me more in the performance of my sad duty last evening when gathering the facts of this incredible disaster from the bereaved and distracted survivors than the admiration expressed by the women for the men who sacrificed their lives in order that the women might escape.

He learned of heroics. Colonel Astor and Mr. Stead were last seen clinging to a piece of wreckage from which, when their limbs were frozen, they slipped to death. These famous men, with President Taft’s aide Major Butt, were among those who only hours earlier had escorted ladies to lifeboats. Even more heroic, if possible, Bullock reported, is the account of Mr. Isador Straus who refused escape as long as a single woman remains on board.

London readers were kept abreast of the intimate minutiae of survivors and Bullock included a dictated statement from one of the wireless operators alerted by Captain Smith at the end: Men, you have done your full duty. You can do no more. Abandon your cabin now. It’s every man for himself. You look out for yourselves. I release you; that’s the way of it at this kind of time, every man for himself.

During the evening memorial at St. Paul’s Cathedral of those lost at sea, at 9:30 p.m., Bullock noted: Many people are weeping, and the scene is one of solemnity. Among the crowd are many Red Cross nurses and ambulance doctors. Nurses from local city hospitals were inside and outside of the dock gates and the crowd, orderly, as scores of motorcars arrived within moments of one another, most containing rugs and clothing for the survivors. By 9:50 p.m., as the steamer made her way slowly up the river she was surrounded by boats containing photographers, who were taking frequent flashlight pictures of the rescue ship, the silence being punctuated by the flashlight explosions, which showed the decks black with passengers. It was a period of agonized waiting. The docks at this time were crowded almost to their utmost capacity, yet the crowds were instantly augmented by belated arrivals. At this time there were more than fifty ambulances from every hospital in the city drawn up outside the docks.

Among the crowd emerged a notable group made up of the committee of the New York Stock Exchange, who passed through police lines bearing in a large oblong box 4,000 pounds raised by subscription on the Exchange that morning for survivors.

Throughout the month, Bullock continued to cover human interest stories survivors shared with him for Daily Mail readers. With each revelation, it was clear RMS Titanic was not equipped for worst-case scenario.

As Titanic resurfaces for worldwide 100-year commemorations, its unsinkable stories yet resonate as a warning against complacency and blind security in progress versus common sense. Simply put, had there been more lifeboats, there might’ve been more survivors.

Saturday, January 28, 2012

9 Films

In the wee hours on January 24, the Academy of Motion Picture Arts and Sciences announced this year’s Academy Award nominees that included nine films. Of course I was glad to see Extremely Close & Incredibly Loud on the list with Max Von Sydow up for supporting actor, and I was thrilled that my pick for Best Actress, Michelle Williams, for her delicious performance in My Week with Marilyn made the cut. I haven't seen the magnificent Meryl Streep, also nominated—no surprise there—for her work in The Iron Lady or Best Actor contender George Clooney in The Descendants; and somehow, so far, I’ve managed to escape War Horse. Not sure I'd fare well watching someone’s pony dodge the bloody mêlée that ensued during World War I looking for his owner. It could play like an overlong though beautifully shot ASPCA ad. Moneyball may have had a flying chance with me had I caught Brad Pitt, nominated for Best Actor, on the big screen rather than yawning through the DVD. Don't think I'd pay to see The Artist in the theatre, though I’m curious to see and hear a silent film about talkies. And Midnight in Paris ... kinda full of itself, but it is a Woody Allen. The Help, quite excellent, is certainly Oscar worthy, and Viola Davis got a deserving nod for Best Actress as did Octavia Spencer and Jessica Chastain for supporting roles. Haven't seen Hugo yet and probably will never see Tree of Life just because I heard it’s an insider pick.

So, there you have it! Nine films! For a list of other nominees: http://oscar.go.com/. Mark your calendars for February 24th to watch the 84th Academy Awards ceremony hosted this year by Billy Crystal!